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Spiral was a collective of African-American artists initially formed by Romare Bearden, Charles Alston, Norman Lewis, and Hale Woodruff on July 5, 1963. It has since become the name of an exhibition, ''Spiral: Perspectives on an African-American Art Collective''. ==History== Active from the summer of 1963 through 1965, the group of artists met weekly to discuss the role of African-American artists in politics and the civil rights movement, as well as in the larger art world,〔 and organized one group exhibition. The group was initiated after artists Romare Bearden and Hale Woodruff invited other artists to discussions in Bearden's loft. Initially the group was concerned with logistical issues, such as obtaining buses to travel to the March on Washington in the summer of 1963. Soon afterward, their efforts turned toward aesthetic concerns, including what author Ralph Ellison called a "new visual order."〔National Gallery of Art. "The Art of Romare Bearden: A Resource for Teachers" (2003) page 34. http://www.nga.gov/education/classroom/pdf/bearden-tchpk.pdf.〕 The members of the group were at varying stages in their careers when they first started meeting. While they did agree that their place, as artists, in the civil rights movement was important, they had differing views on what that place would be. The artists in the group were moved to come together and discuss their own engagement in the struggle for civil rights, even though each found engagement in a different way. The collective allowed for a shared response to the courage that defined the struggle for civil rights. In the years leading up to the formation of Spiral, most of the artists were doing figurative work. Several started to experiment with abstraction as they grew as artists and began working more closely together. Bearden expressed the want of collaborating on a collage. But because the group used different techniques and mediums in their works, they decided that there would be other ways to impact the movement.〔 Although the group was active for only a short time, Spiral proved to be important as an historical initiative, and was one of the first artist groups to call for the cultural community's involvement in social change.〔 The group's only exhibition was May 14 through June 5, 1965, titled ''First Group Showing: Works in Black and White''. The exhibition was in part a response to the trend of major art institutions to overlook the work of African-American artists. Bearden had suggested the exhibition's black-and-white theme because it comprised both socio-political and formal concerns. The Spiral group was relatively ignored in much traditional art history since its demise.〔Martha Schwendener, "Spiral and the 1960's," ''Village Voice'', July 27th 2011, page 28. http://www.villagevoice.com/2011-07-27/art/spiral-and-the-60s/〕 But interest in the group was rekindled by a group exhibition of the collective in Birmingham and New York in 2010-2011, and the associated catalogs. The exhibition looks at the way the Spiral collective came into its own during a period of American history full of unrest, and the varied visual responses of African-American artists.〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Spiral (arts alliance)」の詳細全文を読む スポンサード リンク
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